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SECRETS OF THE

MOON
Privilegium
(Lupus Lounge)

MONKEYPRIEST
Defending the Tree
(Feretro)

HYATARI
The Will Surface
(Caustic Eye)

EAGLE TWIN
The Unkindness of Crows
(Southern Lord)

FIFTYWATTHEAD
Fogcutter
(Signed By Force)

SAVIOURS
Accelerated Living
(Kemado)

INFINITE MISSILES / 
TALK SICK EARTH
Split
(Rusty Axe)
 
UTARM
Panic Chamber / Substitute of
Dimension Hell
(Roggbif)
 
MORE REVIEWS

SAVIOURS
Accelerated Living
(Kemado)

To lots of undeserved criticism rockers can’t  and shouldn’t do anything but keep on rocking. And so, Saviours, Oakland’s lambasted quartet solely because of their association with ‘big and mainstream’ (as in ‘not really big, nor very mainstream’) Kemado Records, have put out a third full-length that’s inarguably pure, raw and rudimentary. No one that has listened to this their third album in its entirety can question the riffs.   I am talking about the quality of them and their place of precedence.  The guitars ravage with the  passion of a vampire for blood and move in basic mode, through ebullient timeless dynamics that mix 80’s chugga-chugga with warrior dynamics and self-flagellating solos. Lovers of metal partly fell in love with the genre because of the guitars. Hence, here is Accelerated Living.

 

The songs here lie somewhere between traditional metal and speed thrash metal. Saviours is now achieving a vintage sound that’s almost Kill ‘Em All-ish  in all its propulsive energy and classically British. Take for instance, the gallop of tunes like “Burnin’ Cross”, where the  only missing factor are the glorious vocals of Bruce Dickinson. The dual guitar harmonies do not shine as mighty bright as those of Smith and Murray (Gers doesn’t really count), but the lack of bombast gives the music of Saviours certain workman-like, everyday-dude allure. These tunes are endearing. In that sense, listening to Saviours brings you closer to Motorhead than it does to Iron Maiden.

 

The vocals of Austin Barber are well-planted on the grass.  That’s to say, the man can sing as well as you or me. His voice has strength but intelligently, like a dude aware of his shortcomings, he pulls no tricks nor goes the power metal way forcing the operatic. In “The Rope fo Cranal Knowledge”, Barber efficiently backs up a rock and roll boogie that’s more Thin Lizzy than Iron Maiden could ever be. The only part missing are the beautiful vocals of Phil Lynnott. Was it not for the fact that as a band Saviours kicks plenty of ass, this could have sounded ridiculous. But it doesn’t.  In fact, is quite the opposite.

 

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