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record reviews ufo gestapo  

WEAPON

Drakonian Paradigm
(Ajna Offensive)

THE GATES OF SLUMBER
Hymns of Blood & Thunder
(Rise Above)

PEGATAUR
Eternal Flight
(For Once)

THE DEVIL'S BLOOD
Time of No Time Evermore
(Von)

BLACK COCK
Robot Child With a God Complex
(Australian Cattle God)

IRON AGE
The Sleeping Eye
(Calculon)

UFO GESTAPO
S/T
(Calculon)
 
INVASION
The Master Alchemist
(This is MUsic)
 
MORE REVIEWS

UFO GESTAPO
S/T
(Calculon)

Oh, la la, I dig greatly the way in which this Gallic trio mix their nasty, hazy and thick as molasses sludge with out of this world kinda psychedelic and pretty fucked up noise. I am not even sure which instrument is being used (is it a mellotron?) to create these spacey vibes, but it saturates the music greatly and gives it quite the original feeling. Then again, if it was all about originality I’d give UFO Gestapo a very good grade. The truth is, it is not all about originality. It is also about musical quality and this trio doesn’t show much on that front, leaving us with the bitter taste of unexploited grand potential.

 

Yeah, there are those not so fleeting moments when tunes like “Landing Above” seem to fall into this deranged and nightmarish groove. It’s cool. The ideas are very cool, but the end result needs work. Not polishing, just more work on the songwriting. With volumes competing at such ridiculous highs the vocals of the unfortunate named Kkk get buried amidst tons of rubble and debris. That may be intentional, after all, with everything else that’s going on I am pretty sure the lyrics are more of an afterthought.

The second half of “Fear Weed” is also stellar, sounds like cavemen stoner rock meets astral post rocking guitar playing. The distortion is overbearing. I like that. Then again, even those cool guitar patterns are so buried, it’s almost a disservice to the band’s genius.

 

By the time UFO Gestapo get to “Peace Crap” they’ve trashed the space noise and have become a rustic combo of obese electricity. The core of their music is showing, the sound is natural. There is still a lot going but that’s because the guitars are not only played in typical fashion, but they are also flagellated, extracting of them the type of noise that Thurston Moore was so good at a few years ago. Regardless of the finished product, UFO Gestapo have stumbled into a winning formula.    

 

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