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axe stuff \ crossover \ grindcore \ Hammerheart Records \ Luis Sendon \ Netherlands \ sigh goodbye cruel world
Nothing these guys do is wrong, there I said it. Even their earlier work, when they more heavily leaned grindcore, is tolerable. But none of that “their early stuff is better” nonsense because they just kept getting better. Not only do they have the guts to wear their own shirts, they realized that grindcore […]
Karmazid \ Netherlands \ post-black metal \ undeath metal \ Ván Records
Bands really need to declare themselves “post” dash whatever when it’s fucking weird. When I hear “black metal,” for example, I expect horse-stomping drums, lo-fi tremolo blizzard storms with maybe riffs in there, and bass that’s rumbling behind all of it as the Popeye screech vocals commence. Lol where’s me spinach? So why bother […]
ambient black metal \ Dodenbezweerder \ Iron Bonehead Productions \ Netherlands \ raw black metal \ woah long title
Holy piss what a title this is. At least it translates well, but I’ll leave that up to you because I don’t want to waste any more space, goddamn. As I sit here with disease looming, stuff like this just sits so well. Part of me digs that classic black metal sound in almost […]
best metal \ death metal \ doom metal \ Doomentia Records \ Entrapment \ Marald van Haasteren \ Netherlands \ Pulverized Records \ Snake Oil Kassetteforlag
Good, finally, I needed some color in my art to break up all the damn black and white on the slider. Awesome art by Marald van Haasteren. And, you know, sometimes I feel like this decaying corpse right here yeah. The weight of everything pressing down on you, you release a groan, and you’re basically like, […]
Collision \ death metal \ grind \ grindcore \ Hammerheart Records \ hardcore \ hardcore punk \ Netherlands \ screw it you write the rest of the tags
Did you know that grindcore can seriously be a real genre? It’s true. Unfortunately, not true enough, but when it’s true, it’s TRUE in ALL CAPS. Perhaps it’s just difficult to be that true, considering all the obstacles. The ineffectual “humor”, the sloppy chord work for legitimacy, the samples, you know it all already because […]